It's often the familiar things of the holiday season that bring
comfort to homes every year - Rudolph, the misfit reindeer with the
flashy honker, bell-ringing elves, and a red-suited robust man waiting
to hear every child's wish.
While many African-Americans welcome these traditional images of the
Christmas season, some yearn for something that also reflects their
heritage.
Each year, African-Americansthroughout the nation and in Baltimore
decorate for the season with a more Afrocentric feeling, using
African-American angels, kente cloth, and other ethnic decorations.
Decorators and marketing experts say the trend is driven by an
increased awareness of Kwanzaa, the holiday from Dec. 26 through Jan.
1 that celebrates the African-American spirit.
"I think it is a trend. Just like more African-Americans have
black art, they collect Afrocentric Christmas items, like black Santas
and angels and even other decorations that are more Afrocentric,"
says Joy Owens, a Baltimore interior designer who owns Joy Owens
Interiors.
"Everything in [the] African-American lifestyle suggests there is
a growing interest in observing Kwanzaa or [putting] some kind of spin
on the holiday [Christmas] that is more Afrocentric," says Ken
Smikle, president of targetmarketnews.com, a Web site that tracks
consumer spending, among other trends, relating to African-Americans.
"A lot of it is a growing desire with parents wanting to give
children an alternative to traditional Santa Claus."
As early as the first week in December, the inside of Mary Douthit's
three-story Victorian-style home on Madison Avenue will flaunt a
9-foot-tall artificial Christmas tree, the tip struggling to reach the
12-foot-tall ceilings in her first-floor dining room.
Dangling on her massive tree is a variety of Afrocentric ornaments
created by various artists, such as Baltimore-based Dubonett Porter.
There also are brown soft-sculpture faces, with their eyes closed,
with green Christmas garnish around their heads, created by another
local artist, Paula Whaley, and cloth dolls with head-wraps and wings
made with African-patterned fabric.
"I decided I wanted my whole house to be ethnic to represent who
I was," says Douthit, who owns Heaven on Earth, a home-based
business that offers products for the bath, body and spirit.
"When I lived in Edmondson Village I got a 7-foot tree, and it
was so wonderful I felt like I had arrived," says Douthit,
explaining her motivation for buying a 9-foot tree. "I put the
same tree up in here and it looked like something out of Snoopy (a
character in Charlie Brown's Christmas); it looked like a stick tree
in this house."
Beyond Douthit's tree, garland and lights slither down the banisters.
On each of her three back decks, there are other trees with bright
white lights. If the blinds are open on her front windows, it gives
the illusion that all of the trees are inside her house.
Douthit says she started decorating in an Afrocentric way for
Christmas partially as a result of formerly working in an environment
where she felt she couldn't express her ethnicity or her
individuality.
Kerry and Donna Staton of Clarksville brainstorm each year over what
their Christmas decor will be. In past years they have featured wooden
angels that have African features and wrought-iron African masks on a
tin pole covered with Christmas wrapping. Even their bowl for chips
and dip has the head of an African-American woman.
Donna Staton says her desire for decorating with an ethnic theme
evolved from a tradition born in her childhood home.
"It wasn't always the case that you could find Afrocentric
items," says the 49-year-old deputy attorney for the state.
"My mother collected artwork by African-Americans, Africans and
Caribbeans. Even our dolls were ethnic; it was difficult to find them,
but she found them."
Also fueling the trend for ethnic items are many artists, both amateur
and professional, who have taken the art of Afrocentric Christmas
decor to another level.
Each year, business partners Karl Graham and Tony Miller of the Graham
Collection - host a "Christmas in October" exhibit, which
features ethnic decorations created by Washington- and Baltimore-based
artists.
Their showcase, which began in October and ends this month, is held in
their place of business in Northeast Washington. (See details below.)
"People always come out to get the ornaments," says Graham,
and adds that Paula Whaley's ornaments always sell out. "They
love her ornaments because they are so unique and haunting."
"I wanted stuff around me that reminded me of me," McDaniels says, "being the spirit of who we are and what we represent."
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Kwanzaa is a week-long holiday observance held from Dec. 26 to Jan. 1 honoring African-American heritage, primarily in the United States. It was founded in 1966 by Ron Karenga. Kwanzaa is not a religious holiday, but a cultural one.
The name Kwanzaa derives from the Swahili phrase "matunda ya kwanza," meaning "first fruits." A second "a" was added to the end of Kwanza so that the word would have seven letters, one for each of the Seven Principles. Each of the seven days of Kwanzaa is dedicated to a single principle. In order, they are:
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Umoja (Unity)
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Kujichagulia (Self-determination)
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Ujima (Collective work and responsibility)
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Ujamaa (Cooperative economics)
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Nia (Purpose)
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Kuumba (Creativity)
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Imani (Faith)
Source: en.wikipedia.org/wiki/Kwanzaa